
TOSCA
Emilie Cavallo (...) had the opportunity to take a full and taxing role, and showed herself to be a performer of real vocal quality as well as a gifted actress. Her tone is rounded and mature in mid-register, and was well sustained and beautifully tuned throughout. The production’s values curtail opportunities for flouncing as Tosca the diva, but she catches the vulnerability and sincerity of the role, which is the important part of it, really well, and never stops acting and reacting to the other protagonists. And her "Vissi d’arte" was sung as a kind of credo, pure and lovely to hear, and finally prayerful.
The Art Desk

LA VOIX HUMAINE
"French soprano Emilie Cavallo takes us through the highs and lows of the stream of consciousness in a way that seems effortless, almost improvisatory."
The Prickle

PELLEAS & MELISANDE
"The firm, crisp projection that the French soprano Emilie Cavallo brought to Mélisande's line was part of an unusually assertive view of the role."
Opera Magazine

"Juno, compared with her somewhat squally accomplice of Emilie Cavallo’s Iris, though both achieve notable vocal agility, making them natural Handelian singers (both made fine contributions to the concert performance of Teseo at this year’s London Handel Festival)."
Cassical source

SEMELE
TESEO
"As his lover Clizia, Emilie Cavallo sang with a rich, dark soprano voice and created a strong sense of character for Clizia."
Planet Hugill


DON GIOVANNI
Evening Standard